Born in Barcelona, Anna Crexells graduated in 2002 both in Piano and Chamber Music at the Conservatorio Superior del Liceo studying with Cecilio Tieles and Ángel Soler.

She has received advices from Miquel Farré, Roy Howat, Salomon Mikovsky, Edith Fischer, among others. She specialized in vocal accompaniment with Ángel Soler, Wolfram Rieger and Enza Ferrari.

She has also worked as a repertorist for the flute music courses by Jaime Martín, Vicenç Prats and Wilbert Halzelzet. She has worked with orchestras such as Joven Orquesta Nacional de Cataluña, la OBC and Orquesta de Cadaqués under Justin Freer, Manuel Valdivieso, Daniel Gil de Tejada, Elio Orciuolo, Rubén Gimeno, Jaime Martín and Salvador Brotons.

She is official pianist at Amigos de la Ópera de Sabadell, Singing class of Carmen Bustamante, Vocal Contest Mirabent y Magrans, International Singing Competition Jaume Aragall and Francisco Viñas International Singing Contest.

Also she regulary works with Choir Cármina, Choir Madrigal, and at Conservatorio Superior del Liceo in Barcelona.

She has collaborated as official pianist with Asociación de Amigos Alfredo Kraus de Oviedo, TACT Management, Escola Superior de Música de Catalunya and with Phillipe Herreweghe.

She has been repertorist in masterclasses and courses of Jaume Aragall, Elisabetta Fiorillo, Jordi Domènech, Nuria Rial, Darrel Babidge, Eduard Giménez, Carmen Bustamante, Dalmau González, Enric Serra, Carlos Chausson, Michele Pertusi, Celso Albelo, Dolora Zajick, Juan Pons and Teresa Berganza.

She has performed together with Maite Alberola, David Alegret, Mariola Cantarero, Albert Casals, Maria Luisa Corbacho, Carlos Cosías, Carlos Daza, Manel Esteve, José Ferrero, Ana Lucrecia García, Saioa Hernández, Raquel Lojendio, Maribel Ortega, Enric Martínez-Castignani, Marta Mathéu, Maria Miró, Simon Orfila, Ismael Pons, Marta Infante, César San Martín, Auxiliadora Toledano, Elisa Vélez among many other singers.

She has appeared in different festivals and halls including Festival de Porta Ferrada, Schubertíada de Vilabertrán, Teatro Lope de Vega in Sevilla and at the Great Hall of the Palace of the Music in Barcelona.

imatge aèria anna crexells

“Anna Crexells is an extraordinary accompanist. She is the suitable cushion for a soloist, she has an extremely subtle and delicate pulsation which allows to perform from the most absolute pp to the most powerful FF. Musical and flexible, she is the perfect pianist that everyone wants to listen to.”

Salvador Brotons

“Great musicians have always given importance to Chamber Music; remember Pau Casals and Alfred Cortot, or today Daniel Baremboim or James Levine: that facility to make music together with other soloists requires necessarely a versatility in order to create the catarsis needed to reach master versions in the music repertoire.

Anna Crexells is a delicate pianist dedicated to Chamber Music. She is gifted with real musicality: she always reaches the level of excellence in her performances, she has a music culture which allows her to take many different repertoires, from instrumental to lied with singers, with identical integration.

She is brilliant, elegant, well educated and discreet; qualities which transcend in each of her performances. It is a pleasure having her with us, she is an exigent and serious professional.”

Jordi Roch i Bosch

“Pianist Anna Crexells is one of the most valued repertorists today; prove of that is her busy and distinguished schedule in this domain. She always finds in each work the best balance between the composer and performer, between tradition and modernity. She is a magnificent pianist beating all difficulties in quantity and variety of composers and styles together with the singers in concerts and masterclasses. She has great knowledge of femenine and masculine voices and their respective tessitura. Delicate, and discreet, gives support and confidence to the singer.

She is usual repertorist at the masterclasses by maestro Jaume Aragall, and has also worked with Teresa Berganza, among others.

A delicate yet distinguished pianist, attracting discrete attention, she is a good support and gives confidence to the soloist.”

Roman Galimany